STRANGER THAN STRANGE

At the top of this brown bag, useful for writing paper when there was nothing else available, across a flap folded down about an inch, appears what looks like some kind of outline, with numbered points: 1 ) a 'statement' about the QUALITY of the contrasted experiences 2 ) SCIENCE is a sterile approach to evaluating thought-experience 3 ) the 'mask' is the reason for the Black & White quality of Dorothy's Kansas 'life' which moves on to 'unmasked' delirium 4 ) MIND is both 'spiritual' & shared 5 ) JUL  16  - A young Judy Garland recorded a version of "Somewhere Over The Rainbow" during the production of a spectacular feature film based on one of Baum's books; it's about a place...  a special place where we all would very much like to go; the word  "Somewhere" implies that there is no map to guide us; no one  set of instructions for how  to get there. - Those opening scenes, where we first meet a

Looking at the World Through the Eyes of a Child . The female protagonist in Tar Beach is eight-year-old Cassie Louise Lightfoot, a freedom fighter by heart. Cassie lives with her Mommy, her Daddy, and her baby brother Be Be in an apartment building where the George Washington Bridge is visible. The hood. Harlem, New York. Click on the image to be taken to the websource. The George Washington Bridge, known to the locals as GW Bridge. Click on the image to be taken to the websource. Cassie narrates that the stars fell down and lifted her up above the George Washington Bridge. From there, it becomes a series of flight in which Cassie flies over certain places and claims them as her own so her family can enjoy simple privileges that they don’t have access to. I can fly – yes, fly. Me, Cassie Louise Lightfoot, only eight years old and in the third grade, and I can fly. That means I am free to go whenever I want for the rest of my life… …It’s very easy, anyone can fly. All you ne

OUTLINE  for  CHAPTER  VII Illustration:print media ad for 1953 Ford p/u w/white walls; all happy onlookers growing sadder ( use digital effects ) and then fading until the town is dusty and deserted just like in “The Last Picture Show” SCENE  ONE JAKE’s truck roars to life on his second try, and as the jail facility grows ever smaller in his back glass, strains of ARRESTED DEVELOPMENT’s big hit “Mr. Wendall” escape from his ‘popping’ AM-radio. SCENE  TWO Instead of confinement in that tiny cell, JAKE sped past all his usual ‘haunts’ which are now ‘old waste places (Isaiah 58:12 ) ;’ he realizes that he is searching for old friends, but none can be found. Note:the next three scenes are in reverse order chronologically (perhaps provide date/time so reader will not be so confused) ,  ...but the narrative plods straight forward as if ‘normal time’ is just an unnecessary ‘confusion’ SCENE  THREE JAKE finds out, through an intermediary that is hollering through o

As the month of September waned, the writer formerly known as UNDERDAWG , or "U," wrote a long letter to ALWAYS . He'd taken care not to reveal too much of himself, but to indicate to any snoop  reading the letter that what had not been said indeed posed a threat to the Prosecutor's team. As the weeks crept on by, DC ( this writer )  became increasingly aware of his own confusion; was he repeating himself like some senile old codger? This letter spelled out, to his 'former inmate-correspondent,' the facts and probable significance of the 'recent ( SEP 16 ) ' visit by Deputy Cruz; another account  of this propitious contact with the 'authorities' was carefully reconstructed  in the pages of this journal. Writing this third fictional  account of the author's meeting just underscores the confusion-factor's encroachment; an element  of this story fostered by advanced age, isolation from the 'normality' in the free world and this